The Wavestation series of synths set itself from the other synths of the era by using a technology called wave sequencing, which could be described as building sounds by pasting sequences of different waveforms together, in a way similar to George Martin’s cut-and-paste approach to the calliope sounds on the Beatles’ Being for the Benefit of Mr. The Korg’s Wavestation A/D is the rack-mount version of the Korg Wavestation EX keyboard synth, which in turn is a revised and expanded model of the original Korg Wavestation. Over the years, I’ve bought and then sold or given away a number of synths, but there’s one that I kept: A Korg Wavestation A/D. Long before I became an accordion player, I was a synth player.
The Korg Wavestation A/D The best damned synth of 1991.
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